"You know what? The bastard blows me out of the water. This guy writes Maine like Ardai writes New York. If you're not reading him, you don't know what you're missing." --Chris F. Holm, author of The Big Reap, The Wrong Goodbye and Dead Harvest.

"Bagley's got the poet's eye, but that doesn't mean everything is prettier in his work. It means the ugly stuff is more vivid. More intense. Like a sudden switch from analog to HD. And that's a trait to very much admire in his work." --Anthony Neil Smith, author of Hogdoggin', Yellow Medicine, The Drummer and Psychosomatic.

Sunday, September 14, 2008

Assigned Reading

This semester, I’m teaching a course called Writing Mystery and Crime Fiction through the local adult ed. program. Besides doing craft exercises and working on their own stories, my students are also reading short fiction by published writers. Here is the list of stories I assigned for the class:

“Until Gwen” by Dennis Lehane
“Skeleton Rattle Your Mouldy Leg” by Bill Pronzini
“The Parker Shotgun” by Sue Grafton
“Too Many Crooks” by Donald E. Westlake
“Grit” by Tom Franklin
“The Takamoku Joseki” by Sara Paretsky
“The Crack Cocaine Diet” by Laura Lippman
“The World Behind” by Chris F. Holm
“El Rey” by Scott Wolven
“Suffer” by J.A. Konrath

The course runs fifteen weeks, with the final five spent on workshops. I might also let them tear apart one of my stories if there is time. I did that with another class, and the students got a kick out of critiquing the teacher.


Chris said...

Okay, seeing my name on that list officially ranks as one of the more surreal moments of my life...

Patrick Shawn Bagley said...

Shit. That Holm story wasn't supposed to be on the list.

Just kidding. It's a damn fine story, and I know my students can learn a thing or two from reading it.